Paris Opera House ballerina Marie-Agnes Gillot is featured in the editorial of Crash Magazine, December/January issue. Photo: Julien Vallon
Paul Smith launched his latest innovation for menswear - A Suit to Travel In. A troop of exceptional performers were selected to demonstrate the extraordinary qualities of the suit. Cut from a 100% wool fabric, flexible and breathable, the item provides the wearer with complete freedom of movement.
Bara Prasilova graduated from the Institute of Creative Photography at Silesian University. She lives and works in Prague / Czech Republic. Her visual world consists of imaginary memories of what never happened and explorations of what could have happened if we dropped the habit of drawing our own limits. Her photographs have a characteristic slightly somber and magical atmosphere and humor, which is obvious more or less, depending on specific projects. Her objects are only mediators of the story, the role models. Bara enjoys complicating her job with insisting on real props and objects, sometimes made by her, which could in other cases be easily replaced by Photoshop. She frequently distorts figures of her models. Specifically with their feet positioning she is referring to her childhood ballet era.
Here ‘s a selection from Bara’s fashion editorial Amen, realized for Proč ne?! magazine .
CREDITS: Petra Vokjan – retouching/ Viola Fetisova – styling/ Regina Soudilova – hair styling/ Renata Zelinkova/L’Oréal Paris – make-up/ Sasha Melnychuk (Bohemia M.), Josef (Clique M.) – models/ Mario Wild Flowers – flower props/ Filip Jandourek – photo assistant/ Matej Tresnak/Kinorama – Profoto rental/ Irena Tesarcikova – production/ images via behance.net
Giovanni Anselmo – Invisible, 1971, video projections. Using a slide projector, the word is legible only at a certain point when intersecting the presence of the viewer. Thus the invisible becomes visible.
Maison Martin Margiela and their signature ‘invisible’ tag. The blank tag is attached to the garment using 4 white stitches visible from the outside.
Originally from Geneva, Kosuke Araki is a Japanese designer living in Tokyo. He studied at Tama Art University Tokio and he also has a MA degree in Design Products from Royal College of Art London. Kosuke Araki interned at Nike and his projects were displayed in various exhibitions. His work covers different areas, questioning the values and sensitivities of our age, dealing with consumerism and the process of rapid modernisation.
Kosuke Araki – FOOD WASTE WARE -in Kitchen (2013)
With his project Food Waste Ware, Kosuke Araki gives new life to food waste. Food waste is a global problem and Araki puts it in a very personal way. And it’s not only about sustainability. Designer uses food waste from local markets, shops and his own kitchen to create a wide range of tableware – food waste bowls crafted from rotten vegetables, leftover bones and even tea bags. He also delivers a booklet called A New Life for Food Waste that teach us how to replicate the results at home.
These photos show how much food is discarded from food markets, shops or kitchens on a daily basis. Araki asked food shops to put aside some organic waste for him so he went to collected the pieces after the closure. According to one report, even people who believe that their household wasted no food were shown to be discarding 88 kg of avoidable food waste per year. As he says:
“I could imagine that most of us are unaware of the amount of food we throw away, so I took a one-month record of food waste from my kitchen. I am living alone and cook only for dinner, but even so, every week I could have around 1 kg. Every day, food waste is produced at a huge industrial scale as well as a small domestic scale. Although some of it is processed into something useful, most is disposed of in landfills, contributing to environmental problems.”
The idea of Araki’s project was to revive wasted lives by giving them new roles. Designing the set of bowls, he researched alternative ways of reshaping the material trying to avoid the usage of a silicone mould, which is derived from petroleum, and to make all the process done only by natural materials. Aiming to enable users to design their own tableware out of the food waste they produce daily, he also invites the audience to become more aware of the amount of food waste they generate day by day.
Kosuke Araki – food waste bowls + manual
TOGA‘s Fall 2014 collection entitled “Crudity, Durability, Roughness” explores the American West in a very peculiar way. There’s a lot of buzz around Americana style lately, but fortunately there are also plenty of creative resources to be found in designers’ collections. Especially when we’re talking about Japan versus America (via Europe) the result might be even more interesting.
Japanese designer Yasuko Furata graduated from Esmod in Paris before going on to work as a freelance costume maker. She launched her label Toga back in 1997. In 2004, TOGA opened its first boutique in the Ebisu district of Tokyo. Today, TOGA has over 30 shops all around the world. Distinguished by its exclusive fabrics research and experimental volumes, the Toga silhouette is urban, deconstructed and avant-garde. Defining her design as “Toughness and unique sexiness, hidden in elegance that uses complex female images to evoke all the senses” Yasuko likes contradictions “such as the combination of conflicting materials, interpretation of classic elements into casual styles, and the elegant presentation of sportswear elements.”
Indeed, these pieces are beautiful and provoking in terms of silhouettes, fabrics and associations, resulting in an efortless chic layerings of apparently contrastant elements. Addresing to a free-minded, contemporary, global woman, TOGA is a a label that certainly deserves un certain regard.
catwalk images via style.com